You’ve probably already heard the news that Adobe announced Creative Suite 4 tv.adobe.com on September 23rd, the latest versions of its ubiquitous design apps. As usual, there’s plenty of excitement surrounding this announcement, as every Adobe release brings cool new features, better cross-product integration, and (hopefully) speed improvements that make for an easy transition to your usual work flow.

There wasn’t much chance that Adobe could beat the buzz surrounding last year’s CS3 announcement, since that was the first version of the suite to include applications purchased from Macromedia, like Dreamweaver, Fireworks, and Flash. And, realistically, CS4 isn’t the type of update every designer and her mom will run out and buy right away, but for you antsy early adopters, let’s have a look at some of the features that will get you ready to hit the preorder button…
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If you are not actively involved with any social networks you need to stop reading this and sign up for a few. If you are not using social media to get your business out there and interacting in a new way with your clients, you are missing a huge opportunity. Now with those big words out of the way, I admit I went into the idea of social marketing my business a bit skeptical. But here is what I quickly discovered: talking to my clients about social media marketing was a great “in” to talking about a larger piece of their marketing planning.
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I was already a pretty ambitious designer when I went to the Aspen Design Conference years ago. Mary Catherine Bateson, Margaret Mead’s daughter, spoke and I heard things that hadn’t occurred to me. She talked about designing life and how to create and build the rituals that celebrate the journey of living.

Then, I met Milton Glaser. From him I learned to take everything personally; to connect with the things I create in a real way. His definition of design has always stuck with me: Read the rest of this entry »

Rebecca works her magic with a soup can arrangement in her favorite space in the studio: a harvest table that doubles as workspace and office desk.

Rebecca Cole thrives on creating unique floral, garden and interior designs with a rustic, natural aesthetic. She’s best known to the public as co-host of all 200 episodes of Discovery Channel’s “Surprise By Design” with fellow designer and studio neighbor, Robert Verdi. She continues to educate on a national and global scale through a weekly radio show, “On the House,” regular appearances on shows such as “The Today Show,” as a “guru” on Howdini.com, and as the author of 3 books. From her studio in Manhattan’s flower district, Rebecca Cole Design delivers her unique style to a growing clientele of New York area celebrities and aficionados. Wall-to-wall windows lend an airy greenhouse feel to the space overlooking W. 30th Street.

We stepped into the middle of the proceedings to find out what makes her space so inviting.
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ANDY: Rick, regarding academia and it’s “fixation to ignore the really interesting and productive examples of online collaboration and to only showcase the grand Professors and organizing committee members of such conferences and the menial work they more often are doing” – that’s a real can of worms. But let’s open it anyway.

I think the first thing to address here is that academia and education is changing. Charles Leadbeater has researched and written some great work on this. Well, I say they are changing, but it’s more of a case that they need to change and it will be forced upon them. The pyramid of expertise, of professional elitism, that has driven education has been over-turned in many areas thanks to the web, but higher education in particular is predicated on the idea of a select few having expert knowledge. It’s no wonder that, regardless of new technologies and cultural shifts, the “grand Professors” carry on with their traditional mode. Cultural change requires generational shift, as I mentioned before. Put bluntly, the old men (for it is mainly men) in tenured Professorships need to retire and/or expire in order for that change to happen. Read the rest of this entry »

Since school is back in season, the inner tubes are deflated, and football is on the tube, I thought it was worthwhile to look back at ten notable summer events in the world of design.

1. June 17: Eames stamps stick
The US Postal service honored the design legends we’ve been admiring for years. The furniture, graphics, films, and innovation of design duo Charles and Ray Eames are monumentally depicting on these miniature stamps, designed by Derry Noyes (granddaughter of the Eames’ dear friend Eli Noyes). If you haven’t yet, get your set! (I bought ten sheets!) See all USPS latest stamps here: Read the rest of this entry »

Boring Boring Boring Boring Boring Boring Boring, the new novel come graphic design experiment by Zach Plague (aka: Zach Dodson) is equal parts both. It is what you get when a writer, who becomes a graphic designer, is also his own publisher. As with any auteur, his total control means one thing, he can break all the rules. Because no one is there to stop him. So this is what he does. Read the rest of this entry »

Inspired by fellow contributor Chris Costello’s post Paying Your Dues

My career also started humbly and I still think about those experiences every time I interview a young designer. I went to Phoenix for interviews near the end of my senior year. I had researched the top firms I hoped to meet and had sent them all hand-made promo pieces, well-written letters and a great resumé. To my surprise, I got interviews at all but two of my top 15 choices. Not too bad for a guy who didn’t go to a school exactly known for design - nope, not bad at all…or so I thought. Read the rest of this entry »

You asked your legal, copyright, and trademark questions, and Jean has answered! All questions are culled from the comments section attached to the original ‘Ask Jean’ post. We invite you to ask more questions.

Hi Jean,

For the past six years I’ve developed the print design department of a small company. There was just me and the computer doing the creative and production work, and the boss facilitating with infrastructure and a wage. I got tired of the office politics, left that company and started my own. Many customers have come with me. My question is, who owns the customer files? If the old company wants to sell them, is that legal, and what are they worth? This is a small community and a lot of goodwill is at stake here. But I don’t want to sacrifice more than I have to.
Thanks for any help you can provide!
Sue
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In his previous post Dave explained how design is increasingly looked upon as a commodity by corporations.

Good news for right brainers

Whereas the craft of design; creating logos, layouts and Web designs, is becoming as much a property of amateurs as it is professionals, designers need to find new areas of unique value that they can provide their clients. By addressing the areas of complexity, co-creation, context and accountability, designers position themselves to better meet the needs of their clients and the demands of a changing economy.

In 2000 Federal Reserve Board Chairman Alan Greenspan stated that technical know-how would be superseded by “the ability to create, analyze, and transform information and to interact effectively with others.” This idea was echoed in Daniel Pink’s book A Whole New Mind, in which Pink projects that the future economy will be driven by six key “senses” - design, story, symphony, empathy, play and meaning. For designers with a collaborative spirit and the ability to conduct and synthesize research, this is good news. Read the rest of this entry »