Emily Pilloton

I’ve seen some designs come out of the poorest villages in Africa that trump anything coming out of any design firm in the US. — Emily Pilloton

Recent Colbert Report guest and Bay Area native and designer Emily Pilloton was underwhelmed with the home product decision-making that made up much of her working life when she started Project H, an organization of volunteer designers who work to connect design with communities most in need. Her work encouraging local Project H chapters to bring better products to schools, hospitals and shelters led to the book “Design Revolution: 100 Products that Empower
People.”

In February she’ll kick off the Design Revolution Road Show, a traveling exhibition and lecture series that will visit 25 high schools and university design programs nationwide across the nation via an Airstream trailer that highlights 40 humanitarian design solutions highlighted in the book. You can follow the cross-country tour, which will take Pilloton and partner Matthew Miller to schools from Austin to Baltimore, on the site’s itinerary and @DesRevRoadShow. Emily Pilliton is interviewed here by Emily Goligoski.

Notes On Design: What your initial motivation for starting Project H?

Emily Pilloton: I started Project H mostly out of frustration, but the kind of frustration that is laced with optimism: where you wake up one day and realize that you don’t like the way things are, but you think you know how to fix it.

I’m trained as an architect and a product designer, and grew up always taking things apart and putting things together, and came to design believing that it would be a great skill set for solving problems in a physical, creative, and critical manner.

A few years out of graduate school, when I found myself working as the store architect for a retail clothing company, where design was synonymous with choosing doorknobs and other such minutiae, I had had enough. Design had, in my own career (mostly because I had huge student loan bills), become so far removed from why I originally became a designer: to solve problems. I quit the doorknob job the next day, started writing and making up my own rules, and eventually started Project H as an avenue to apply design to the things that mattered.

The Design Revolution Roadshow Airstream

NoD: How did the idea for such a non-traditional book tour come about?

Emily Pilloton: As a natural contrarian, I tend to find the expected and the usual very boring. This was particularly true when I wrote “Design Revolution” and the time came to think about what kind of book tour I would embark on. The usual book signings and library talks seemed valuable, but not in keeping with the tone of the book, which is so much about a grassroots, bottom-up, “just do it” approach to design that really belongs at the doorsteps of designers who care, not in Barnes & Nobles. Read the rest of this entry »

Steven Heller’s latest tome, Iron Fists: Branding the 20th-century Totalitarian State, is an intense read. As an object, the book is an impressive chunk wrapped in black striped plastic, with the vibrant colors of propaganda peeking through the stripes from the inside cover. Yet the book structure and narrative are highly accessible.

Part coffee table artifact / part required design history reading, the book is a must for anyone interested in branding. Read the rest of this entry »

Boring Boring Boring Boring Boring Boring Boring, the new novel come graphic design experiment by Zach Plague (aka: Zach Dodson) is equal parts both. It is what you get when a writer, who becomes a graphic designer, is also his own publisher. As with any auteur, his total control means one thing, he can break all the rules. Because no one is there to stop him. So this is what he does. Read the rest of this entry »

Nothing about this book looks like an art book. The somewhat colorless cover, the MIT imprint, the marked lack of giant, colorful images. At very first glance, you know that editor Oliver Grau, an Image Science professor and Cultural Studies dean, means business.

Media Art Histories is a more academic look at a subject normally approached with thin, glossy coffee table books and broad, superficial language. Grau’s compilation offers takes from over a dozen professionals on the history and acceptance of digital media as an art form. Read the rest of this entry »

By Karen Morrill-McClure

Where to start in a review of a book that’s over 900 pages long? Hard to say.

Maybe I should start with what I was looking for. I’m not a complete beginner with PHP, I’ve been using it on my sites for several years now and I’m starting to write more complicated web applications using both PHP and MySQL. I’ve mostly used online resources to learn about PHP and MySQL. I have one old resource book, a 2001 PHP and MySQL Web Development manual from SAMS. Read the rest of this entry »

In this design primer, Lupton and Phillips represent graphic design basics for 2008 with profundity and clarity. The text reconsiders principles from the Bauhaus legacy, but in tune with current digital tools and culture. The approach is systematic, rigorous and brimming with postmodern inspirational examples from professionals and students. Finally! I’ve been waiting for the celebratory return of formal language to design dialogue. Read the rest of this entry »

Building Findable Websites
Web Standards, SEO, and Beyond by Aarron Walter

I just read the excellent book, Building Findable Websites, and it truly is the book I’ve been searching for over the last couple of years. I’ve been interested in search engines and how they work for a long time and I’ve been dismayed with the emphasis on Search Engine Optimization over other methods of building findability. This book serves as a great introduction to findability and is chock full of how-to’s and how-not-to’s. Read the rest of this entry »

Back in February, amidst the feline army, I curled up to finally finish reading Lucienne Roberts’ book GOOD: An Introduction to Ethics in Graphic Design.” This is possibly the only book I have found and read that directly discusses ethics in Contemporary Graphic Design. Gathering a selection of opinions, from the likes of Ken Garland, Thomas Matthews, Deborah Szebeko, Sheila Levrant de Bretteville and Daniel Eatock, the book starts at the beginning of ‘Early Civilisation’ (p.21), and later discusses aspects of History, Philosophy (p.34), Law (p.44) and Politics (p.58). In conclusion the book presents a series of discussions with a collection of credible designers (p.113-192) – ultimately asking what it means to be a “good” designer. Read the rest of this entry »

Figure drawing is as much a science as it is an art. In art schools, students spend hour upon hour sketching live models. Eventually, most develop an acute sense of the anatomical details that give the human body its shape. Students also learn how these features interact with light and shadow and affect contour and form.

In Complete Anatomy and Figure Drawing, author and fine artist John Raynes shares his thoughts on the “art class” method, but first, he spends a great deal of time on human anatomy itself.

The book begins with a detailed examination of the human skeleton. The scientific names of each part are provided. I think that’s extremely valuable. Gorgeous graphite, colored pencil, and watercolor drawings cover every page, and each topic is contextualized. For example, you will probably never need to draw a pelvic bone, but you must understand how its shape and structure balances the human body if you want to draw realistic figures. Some of the skeletal drawings even include an outline that shows where the skin would be. This gives you a sense of how the interior structures affect the overall form.

Though the drawings are both technical and lovely, I would have liked to see some photos as well. That way, I could have Read the rest of this entry »

A recent post on BoingBoing, (Everyone’s favorite blog other than this one.), introduced me to a new magazine called ILLO. I guess I’m a little late to the party, as issue #1 debuted months ago and issue #2 is already in the works. Still, I’m sure glad I discovered this new magazine.

ILLO is all about illustrators and modern illustration, but it’s unlike most of the other magazines that cover these topics. ILLO’s focus isn’t digital illustration or the latest software. Instead, it delves into the creative minds, and sometimes the strange worlds, of today’s illustrators. It seeks to understand what inspires their work, and looks at how these individuals turned a love of drawing into a career in commercial/creative illustration.

That said, ILLO won’t disappoint those with just a casual interest in illustration or contemporary art. Graphic designers, vinyl toy collectors, tattoo artists, and magazine publishers will all find something to enjoy as they flick through the magazine’s colorful pages. I definitely wouldn’t call ILLO a trend magazine because most of the artists it features are not easily categorized. They come from unique backgrounds and their work is often informed by very personal ideas. These folks don’t follow trends, they define them.

If you’re still not sure that all this is worth $10 an issue, I recommend you check out the ILLO’s website. ILLO is one of just a few periodicals that offer sneak previews online, and the thumbnails from issue #1 will give you a good sense of the magazine’s overall look and feel. Read the rest of this entry »